What If They Never Arrived?

Digs & Discoveries November 1, 2011

In 1802, the first of the sculptures from the Parthenon began their journey aboard the brig Mentor, a ship purchased by Thomas Bruce, the 7th Earl of Elgin, to transport them back to London. But the sculptures nearly didn't reach their destination. In September of that year, the Mentor sank in stormy weather off the Greek island of Kythera carrying 17 crates of sculpture, including extensive sections of the temple's frieze.
SHARE:

In 1802, the first of the sculptures from the Parthenon began their journey aboard the brig Mentor, a ship purchased by Thomas Bruce, the 7th Earl of Elgin, to transport them back to London. But the sculptures nearly didn't reach their destination. In September of that year, the Mentor sank in stormy weather off the Greek island of Kythera carrying 17 crates of sculpture, including extensive sections of the temple's frieze. It took a team of local sponge divers nearly two years to salvage all the crates. The effort financially crippled Bruce, ultimately forcing the sale of the sculptures to the British Museum, where they now reside. However, speculation has remained as to whether any of the Parthenon's sculpture still lies undiscovered on the ocean floor.

Over the past 40 years, several explorations have focused on the site, including one led by Jacques Cousteau in 1975. This past July, a team of Greek archaeologists returned to the wreck, but once again failed to turn up any evidence of long-lost pieces of the Parthenon. The investigation did, however, recover artifacts that reflect the lifestyle and customs of early-nineteenth-century merchants and sailors, including cookware, pistols, ammunition, and various maritime instruments. The team also found three ancient coins—two silver and one bronze—among the ship's ballast stones.

While the debate continues over whether the Parthenon sculptures rightly belong in London or Athens, the wreck of the Mentor provides insight into their transport and highlights the tenuous nature of their survival.

  • Features March/April 2026

    Pompeii's House of Dionysian Delights

    Vivid frescoes in an opulent dining room celebrate the wild rites of the wine god

    Read Article
    Frescoed panels in the House of the Thiasus portray a satyr (left) and a woman (right)
    Courtesy Archaeological Park of Pompeii
  • Features March/April 2026

    Return to Serpent Mountain

    Discovering the true origins of an enigmatic mile-long pattern in Peru’s coastal desert

    Read Article
    Courtesy J.L. Bongers
  • Features March/April 2026

    Himalayan High Art

    In a remote region of India, archaeologists trace 4,000 years of history through a vast collection of petroglyphs

    Read Article
    Matt Stirn
  • Features March/April 2026

    What Happened in Goyet Cave?

    New analysis of Neanderthal remains reveals surprisingly grim secrets

    Read Article
    The Third Cave, one of the galleries in a cave system in central Belgium known as the Goyet Caves
    IRSNB/RBINSL