Kaleidoscopic Walls

Digs & Discoveries September/October 2021

(Courtesy of Cees Passchier)
SHARE:

Researchers have gained new insight into the efficiency of Roman marble production and decoration strategies employed by Roman architects. Because marble was expensive, Romans often used thin slabs as veneers, attaching them to walls built of less valuable material such as bricks. A recent study led by Cees Passchier, a geologist at Johannes Gutenberg University Mainz, examined 54 marble panels excavated from a second-century A.D. villa in Ephesus, Turkey. Using 3-D modeling software, Passchier and his team found that 40 of the panels had been precisely cut into 0.6-inch slices from a single block of cipollino verde, a type of greenish marble known for its elaborate wavy folds, using a water-powered sawmill. The researchers determined that the slabs were not randomly hung on the walls. Instead, sections of the block cut one after the other were mounted next to each other in pairs, like opposing pages of a book. The marble’s natural patterns created kaleidoscope-like symmetrical designs. Passchier’s team also determined that the whole process, from cutting to polishing to transportation, was extremely efficient, resulting in only 5 percent of all slabs being broken, a figure on par with present-day marble production.

  • Features September/October 2021

    Secret Rites of Samothrace

    Reimagining the experience of initiation into an ancient Greek mystery cult

    Read Article
    (© American Excavations Samothrace)
  • Features September/October 2021

    Searching for the Fisher Kings

    In the waters of southern Florida, the creative Calusa people forged a mighty empire

    Read Article
    (Merald Clark)
  • Letter From Scotland September/October 2021

    Land of the Picts

    New excavations reveal the truth behind the legend of these fearsome northern warriors

    Read Article
    (Courtesy The Northern Picts Project)
  • Artifacts September/October 2021

    Late Medieval Ring

    Read Article
    (© Amgueddfa Cymru – National Museum Wales)