LIVERPOOL, ENGLAND—UPI reports that researchers from the University of Liverpool and the University of the Witwatersrand used a forensics technique to study hand stencils found in prehistoric rock art. The scientists think the method, which applies geometric morphometrics to the images, can determine whether a given stencil was created by a man or a woman with 90 percent accuracy. The team members created new hand stencils for the test by blowing, spitting, or stippling pigment over men and women’s hands held against a rock surface. The negative impressions on the rock were then digitized and evaluated. Forensic anthropologist Patrick Randolph-Quinney explained that the shape of the palm, rather than finger size and length, may be the most accurate way to determine the sex of the artist. The team recommends acquiring hand measurements from people around the world to further develop the technique for archaeological use. For more, go to “New Dates for the Oldest Cave Paintings.”
Forensic Technique Applied to Prehistoric Rock Art
News December 13, 2016
Recommended Articles
Features November/December 2024
Let the Games Begin
How gladiators in ancient Anatolia lived to entertain the masses
Features November/December 2024
The Many Faces of the Kingdom of Shu
Thousands of fantastical bronzes are beginning to reveal the secrets of a legendary Chinese dynasty
Digs & Discoveries November/December 2024
Egyptian Crocodile Hunt
-
Features November/December 2016
Expanding the Story
New discoveries are overturning long-held assumptions and revealing previously ignored complexities at the desert castle of Khirbet al-Mafjar
(Sara Toth Stub/Courtesy The Rockefeller Archaeological Museum) -
Letter from Maryland November/December 2016
Belvoir’s Legacy
The highly personal archaeology of enslavement on a tobacco plantation
(Courtesy Maryland Department of Transportation, State Highway Administration) -
Artifacts November/December 2016
18th-Century Men’s Buckle Shoe
(Courtesy Dave Webb: Cambridge Archaeological Unit) -
Digs & Discoveries November/December 2016
Piltdown’s Lone Forger
(Arthur Claude (1867–1951) / Geological Society, London, UK / Bridgeman Images)