Exploring Moche Murals

News August 11, 2017

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A view from the southeast of one of the sacred platforms at Pañamarca. The structure dates to <span class=A.D. 600, or perhaps earlier, is the largest of three such platforms the Moche used for religious ceremonies. " class="wp-image-18717" width="560" height="315" srcset="https://archaeology.org/wp-content/uploads/2017/08/Moche-Mural-Platform.jpg 560w, https://archaeology.org/wp-content/uploads/2017/08/Moche-Mural-Platform-300x169.jpg 300w" sizes="(max-width: 560px) 100vw, 560px" />

Located on Peru’s northwest coast, Pañamarca was one of many ceremonial centers sacred to the Moche people. Below are detailed explanations of the iconography of some of the best preserved murals that adorn the adobe structures at the site.  

Archaeologists have identified this figure as a priestess, and not as a supernatural being of any sort, thanks to the absence of fangs, zoomorphic braids, or other non-human attributes. The priestess is part of the Moche Presentation Theme or Sacrifice Ceremony, which is also shown on other murals at Pañamarca.
This mythological scene known from iconography on ceramics depicts a battle between the Moche mythological hero Ai-Apaec (right) and a Strombus monster (left) whose shell is adorned with a two-headed serpent. It had never been seen before in a mural or in polychrome until 2010 when it was uncovered.

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